The British and Irish Novel Since 1960


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New Grub Street George Gissing, Possession AS Byatt, Lucky Jim Kingsley Amis, Wolf Hall Hilary Mantel, Brighton Rock Graham Greene, Dombey and Son Charles Dickens, The Sense of an Ending Julian Barnes, The Passion Jeanette Winterson, Decline and Fall Evelyn Waugh, Remainder Tom McCarthy, The Wind in the Willows Kenneth Grahame, The End of the Affair Graham Greene, Moll Flanders Daniel Defoe, Brick Lane Monica Ali, Robinson Crusoe Daniel Defoe, White Teeth Zadie Smith, The Golden Notebook Doris Lessing, Jude the Obscure Thomas Hardy, Heart of Darkness Joseph Conrad, Persuasion Jane Austen, Emma Jane Austen, Remains of the Day Kazuo Ishiguro, Howards End EM Forster, The Waves Virginia Woolf, Atonement Ian McEwan, Clarissa Samuel Richardson, Nineteen Eighty-Four George Orwell, Pride and Prejudice Jane Austen, Vanity Fair William Makepeace Thackeray, 9.

John Fowles - James Acheson - Macmillan International Higher Education

Frankenstein Mary Shelley, 8. Jude the Obscure Thomas Hardy, Heart of Darkness Joseph Conrad, Persuasion Jane Austen, Emma Jane Austen, Remains of the Day Kazuo Ishiguro, Howards End EM Forster, The Waves Virginia Woolf, Atonement Ian McEwan, Clarissa Samuel Richardson, Nineteen Eighty-Four George Orwell, Pride and Prejudice Jane Austen, Vanity Fair William Makepeace Thackeray, 9. Frankenstein Mary Shelley, 8. David Copperfield Charles Dickens, 7.

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Bleak House Charles Dickens, 5. Great Expectations Charles Dickens, 3.

Dalloway Virginia Woolf, 2. To the Lighthouse Virginia Woolf, 1.

The British and Irish Novel Since 1960

Middlemarch George Eliot, Culture Menu. The greatest British novels The greatest British novels. Share on Facebook.

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By Jane Ciabattari 7 December The critics named novels in all. These are the top Please note that ebooks are subject to tax and the final price may vary depending on your country of residence.


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How did social, cultural and political events in Britain during and leading up to the s shape modern British fiction? This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.

The British and Irish Novel Since 1960 The British and Irish Novel Since 1960
The British and Irish Novel Since 1960 The British and Irish Novel Since 1960
The British and Irish Novel Since 1960 The British and Irish Novel Since 1960
The British and Irish Novel Since 1960 The British and Irish Novel Since 1960
The British and Irish Novel Since 1960 The British and Irish Novel Since 1960

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